- #CHURA LIYA HAI TUMNE BY VARSHA TRIPATI DRIVER#
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She may have been influenced by Geeta Dutt in the early years, but by the time the two got together for Kya ho phir jo din rangeela ho in Nau Do Gyarah (1957), Asha sounded distinctive and supremely confident. With these composers teaching her the tricks of exploiting emotions in each song, and the rich bass in her voice proving a viable alternative to Lata, she made a distinctive niche for herself. Simultaneously, S D Burman's fallout with Lata proved lucky for Asha (she got the lion's share of Paying Guest and Nau Do Gyarah), as did C Ramchandra's growing distance from his favourite Lata (she got Asha and Baarish). Her career flowered after O P Nayyar gave her the heroines' songs in Naya Daur and Tumsa Nahin Dekha (both, 1957). In Nagin, Lata sung eight songs for heroine Vyjayanthimala while Asha had one sole Yaad rakhna for a side artiste, but she imbued it with winsome freshness to hold its own against her didi's colossal hits. Boot Polish's Nanhe munne bachhe and Jagriti's De di hamein azaadi showcased her ability to project a childlike innocence. In the same year, Naushad made Asha sing a couple of songs in Amar.
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S D Burman gave her a couple of hit songs to sing in the Dev Anand starrer Taxi Driver (the club number Jeene do aur jeeyo setting an early precedent for her image). Besides Lata, she also had to contend with Geeta Roy and Shamshad Begum.Īmong her earliest successes was Gore gore haathon mein in the Meena Kumari starrer Parineeta (1953), where a 20-year-old Asha sounds heartachingly innocent. In the early 1950s, she struggled to bag the odd prize assignment from topnotch composers. She acted and sang in a few Marathi films in the early 1940s, and got her break as a playback singer in Hindi films with Chunariya (1948), and plunged into a hasty early marriage. Her father's death resulted in her seeking work alongside elder sister Lata. She was born in 1933 to classical singer Master Dinanath.
After all, she is the singer who led the charge of the 'light' brigade for a quarter century!Ĭonsider her range: from cabaret pop ( Piya tu ab toh aaja) to ghazals ( Yeh kya jagah hai doston) to disco ( Laila mein Laila) to bhajans ( Tora man darpan kehlaye), Asha has always skipped from genre to genre without missing a beat. It may look as though she has spent the better part of her career trapped within the carapace of her image. Her trademark joie de vivre is evident not only in her archetypal breezy numbers but also when you see her videos or watch her at a stage show, doing a neat Hrithik Roshan-style dance step. What is remarkable about Asha is that she has notched her achievements with her spirit intact.
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, Movies: Eternal, ageless Asha BhosleĪsha Bhosle, the puckish grandmom of Indian pop, has shown tremendous grit to reach her current position of eminence.Ĭonservatively braided, soft-spoken and sari-clad she may be, but she has carved out a 54-year-long career only after grimly surmounting daunting odds - both personal (an impoverished childhood, a troubled marriage) as well as professional (a long apprenticeship, constant comparisons with sister Lata Mangeshkar).
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